Maciej Małecki

Maciej Małecki draws by hand, in ink, on paper — frequently on millimetre graph paper, the surveyor's grid still visible beneath the structures it can no longer contain. There is no digital stage, no render, no undo. A plate accretes line by line over weeks: colonnades, transepts, reliquaries and machine-choirs folding into one another until the page reaches a density that reads less like architecture than like a system that has begun to think.

The work sits between blueprint and reliquary — the cold precision of the technical drawing crossed with the obsessive ornament of cathedral and circuit. Read it as a declassified schematic for a world that was never built, indexed here as a working archive of seven plates.